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- Does true crime content expose truth or merely excuse murderers?
Does true crime content expose truth or merely excuse murderers?
The true crime genre has shifted from purely shocking content to stories that look at systemic factors that played a part in the crime. Some believe this has led to romanticising murder, while others see this questioning of the justice system as a positive thing.
True crime content gets a bad rap.
Exploitation.
Sensationalising murder.
Romanticising the art of scamming.
Many believe our obsession with the grisly genre is less than healthy.
But is it harmful, or actually a net positive?
The modern era of true crime is often attributed to Truman Capote's 1965 novel, In Cold Blood. Today, one doesn’t have to look far to find the next homicide strung up and dissected for our twisted little minds to indulge in – whatever the medium may be.
Streaming platforms are flooded with the genre. From Darmer to Bundy and everything in between, there’s something for every kind of fanatic.
Cue the latest binge-worthy case: The Menendez Brothers.
The brothers were once seen as heartless monsters who murdered their parents. But the Netflix documentary shines a new light on the men, shifting public perception and taking them from pariahs to sympathetic figures.
The Menendez Brothers flips the script, asking us to reconsider, question, and empathise. This speaks to the evolution of the true crime genre, now a far cry from the 'if it bleeds, it leads' era.
Now, it’s not just about the crime. It’s about the why—the motives, the personal backstories, and, most importantly, the systemic flaws lurking beneath the surface.
From shock value to empathy.
When I was a kid, true crime was all about the most lurid, sensational details the networks could unearth.
My mother, like the many other women that make up the majority of the true crime audience, was infatuated. She would eagerly wait to put on whatever the latest 60-minute special was, generally right after dinner.
Back then, audiences wanted grisly. They wanted graphic. And who could blame them? It was reality TV before reality TV. It was also a different time in which we weren’t spoiled for choice when it came to gory details.
But today, Gen Z and millennial audiences interact differently with such stories.
We want to feel like active participants rather than mere observers.
It feels like we've consumed all the gruesome and brutal stories out there, and now, we’re ready to unpack them all. Instead of senselessly watching horrifying content, we watch it with intention, through a critical lens that questions the very systems we rely on.
Why? Because we have every reason to.
Police brutality, DNA-led exonerations, systemic prejudice, disproportionate incarceration – the failures of law enforcement, prosecutors and courts have eroded our confidence in the proficiency of the justice system.
Modern true crime media is connecting the dots between personal traumas, systemic issues, and—oh yeah—legal malpractice.
Today’s stories actually consider what might drive someone to commit a crime. And they give us more context and nuance than sometimes the trials themselves.
And it’s not just the Menendez case. Think about Netflix’s Making a Murderer or HBO’s The Jinx. We’re now more likely to see true crime projects dig into the flawed systems, the social factors, the injustices, and yes, the real people involved.
What’s really on trial here? The justice system.
This goes beyond a true crime trend. It’s a total culture shift.
Today’s audiences, especially younger ones, have an increasingly critical view of 'the system.' And it’s not just because they’ve been watching Law & Order: SVU.
With each new show that recasts old cases with a nuanced lens, true crime storytelling is helping expose judicial and institutional failures.
Where once we might’ve eaten up a shocking verdict, now we’re left questioning the whole process. And viewers, savvy to every red flag in our institutions, are more than ready to start the debate.
True crime, in other words, isn’t just rehashing what’s already happened.
It’s also giving audiences permission to call out systemic issues, advocate for second chances, and engage in the kind of armchair detective work that goes way beyond guessing whodunit.
Such is the case with the Menendez brothers.
There are hundreds of accounts across TikTok and Instagram run by people who weren’t even alive when the case was happening in real time.
These creators are heavily invested in the outcome of the trials, often advocating for the brothers' release – especially as new evidence appears to support their claims of abuse.
Public support like this can and has brought widespread attention to cases, inspiring reconsideration.
Just think about the Central Park Five or the West Memphis Three.
When it comes to more modern cases, like that of Gypsy Rose Blanchard, the internet is able to examine a case from multiple angles.
It’s because of this that true crime has become the perfect genre for digital sleuthing. Today’s viewers are no longer passive—they’re digging into evidence, questioning motives, and putting out theories on every corner of the internet.
Gone are the days when we took the prosecutor’s word for it; now, if the backstory’s missing, the internet will go find it.
This social element is huge. It turns true crime into a conversation, where audiences come together to question, speculate, and—even if we’re too polite to say it—play prosecutor, judge, and jury.
And the effects are as real as the crimes themselves.
The ethical question: is all this romanticising violent crime?
Does this empathetic retelling cross a line, letting criminals off the hook? Or does humanising them give us a deeper understanding of the flaws in our justice system?
Platforms like Netflix have perfected the art of turning trauma into high-stakes drama. So, there’s an ethical question here worth asking.
Are we romanticising crime, or are we pushing a culture of empathy? Maybe both, depending on who you ask.
But Netflix’s approach—giving viewers both a critique of the system and a deeper look at the people involved—strikes a balance that’s proving hard to look away from.
True crime's cultural reboot.
Where do we go from here?
The current evolution of true crime has nudged it from 'guilty pleasure' into a mirror of society itself. It reflects not only what went wrong on the day of the crime but also the systemic issues we now know played a part.
Today’s true crime isn’t just here to entertain. It’s holding a magnifying glass to our institutions, inviting us all to look deeper and ask the tough questions.
So, will we keep seeing more of this nuanced, layered storytelling? It seems like a safe bet.
Because as long as audiences are asking questions, true crime is going to keep giving us answers—complicated, messy, but maybe a little closer to the truth.
And for the Menendez brothers?
They’ve gone from the prospect of spending the rest of their lives in prison to a potential chance at freedom.
George Gascón, the Los Angeles District Attorney, announced that he would recommend a resentencing that would make the brothers eligible for immediate parole.
Gascón cited the work the brothers have done to improve the lives of their fellow inmates. 'I believe they have paid their debt to society,' Gascón said.
He also mentioned the Netflix documentary, and others, as a reason for growing interest in their case.
-Sophie, Writer
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